Each of these things mentioned in the above paragraph are a great seasoning to any episode, but put altogether it was overwrought and a little ludicrous. Which is why, ultimately, "Hassun" felt like gorgeously produced fanfic. Even Alana being "smitten" with Will became a topic of public discussion and, apparently, obvious knowledge, as they stared into each other's eyes, defying the world! (Alana, anyway. "Hassun" not only brought things back to the Hobbs, but also found time to throw in Jack mentioning his wife's illness (addressed in one episode last season). But "Hassun" laid everything on as thick as it could, from Will's visions to the fact that everyone wants to save poor, fragile Will so overtly that even Hannibal is publicly declaring his love for him both to him and on the witness stand. The antler motif is tiring.Īgain, used sparingly, each of these things really enhances the series and makes it distinct. Anticipating Hannibal's next suit and tie combo is exciting. There are things about Hannibal's reflexivity that are really great: the Hobbs showing back up this week ties the story together from its very beginning. Hannibal has seemingly done everything it can to break out of the mold of a network murder procedural, with its arty settings and quirky characters, but at its core it's becoming very repetitive. The strategy ultimately worked for Hannibal, but not so much for "Hassun."Īn enterprising viewer of the series made a bingo chart this week, which is funny, but also illustrates how predictable the show is getting. "Hassun" definitely went over the line, throwing in every trick the show had, much in the way that Hannibal used "every trick of Will's" on his fresh kills to cast doubt for that Will is the Ripper. But these factors that make the show so colorful also can cause it, if overdone, to be too gaudy. There are many reasons to admire Hannibal as a production: its set pieces, its costuming, its artistically gruesome corpses, the great acting, the new take on an old story, its twisted humor.
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